Tennessee Valley Woodworkers
Vol. 16/ Issue7 July 2001 Editor: Tom Gillard Jr.
The next meeting of the TN Valley Woodworkers
Will be held, July 17 at 7:00 p.m. in the
Duck River Electric Building, Decherd, TN
All interested woodworkers are invited!
The following people have agreed to serve as contacts for their particular skills. If you have questions, suggestions
for activities, or other comments relating to these skills, please call these folks. Their interest is to help the
club better serve their area of expertise. Your participation with them will help them achieve that goal.
Alice Berry 454-3815 Design
Phil Bishop 967-4626
Tom Church 967-4460 Turning Harry May 962-0215 Carving
Bob Reese 728-7974 Sharpening Jim Van Cleave 455-8150 Joinery
Maurice Ryan 962-1555 Health and Safety
July program will be on shop SAFETY. One of the managers from Lowe's will be the guest speaker.
Sept. 21-22: Coffee County Fair
Oct. 20: Fall Seminar: Turning
Dec. 7: Club Christmas Party
The fall seminar is set for Saturday, Oct 20th. This year's speaker will be Bobby Clemons, a nationally recognized wood turner. He is President of the Tennessee Association of Woodturners, a member of the Brasstown Woodturners Guild in Brasstown, N. C., and was the founding President of the Cumberland Woodturners of Crossville, Tennessee. Bobby has taught classes at the Appalachian Craft Center, the John C. Campbell Folk school and the Arrowmont School of Crafts. He was featured on HGTV’s Modern Masters Christmas show in 1999 and 2000 demonstrating his technique on turning his style of Christmas ornament. He and his turnings were also featured in the December 2000 issue of the “TENNESSEE MAGAZINE”. He has also been featured on the “TENNESSEE CROSSROADS” television show on PBS stations in Tennessee. Bobby will provide turning demonstrations on his Christmas ornaments as well as turning salad bowl, and rough edge bowls. More details will follow in future issues of SPLINTERS".
Doyle McConnell: drawer slide alignment and instillation clips.
Mary Ellen Lindsay: Carved Mother and child, out of American Mahogany.
Jim Roy: Two maple bowls, the wood came from an ice storm damaged tree.
Bob Leonard: 4 wooden knives with sheaths. 8 different wood used to build them.
Barbara Keen: Twisted wood, lamp. Made from found wood.
Manual Brown: segmented bowl, 2 goblets and wooden bottle stoppers.
Matt Brothers: fluted tapered table leg made with a router.
John Sargent: Apple wood bowl
Henry Davis: walnut natural edge bowl.
Tom Cowan: Treadle lathe made in the early 1900’s
Bob Reese: Twin violins, copy of a 1777 Italian type valued at around $85,000.
Crooked bedside lamps
Having scoured the department stores for a set of bedside lamps that would match the rest of my bedroom furniture, I finally gave up and opted for the more entertaining idea of making my own. The specification for the construction of these lamps was simple: they had to be cheap (less than $100 for both) and must use power tools that I already owned. The result was a set of oak lamps that are unique (as far as I know), but were constructed using only a jigsaw and an electric drill.
The stem of each lamp is made up of four pieces of oak (cherry would work
just as well), 11 inches high, 1 1/4 inches wide and deep. Firstly, number
the four pieces of wood and remember the order in which they are put next
to each other, thus forming a larger square of 2 1/2 inches wide and deep.
Using the template (see diagram on right) sketch the design
onto each block. To do this, fold the template in half along the dotted line and position this over the block so that the design can be sketched onto two sides. Before cutting, check that when the four pieces are placed together, the result is the same as the template (i.e. the curved shape that the final lamp should display).
Once each block of wood has been cut, there will be one corner edge of each piece that displays no sign of a curve. This is the edge that is the center of the lamp. At this point, it is necessary to make a slot for the electrical cable to fit through from top to bottom. To do this, chamfer an angle off the central edge of each of the four blocks (see diagram two). When the four blocks are placed together there will be a neat, square hole running all the way down the middle of the lamp.
Glue two of the shaped blocks together - forming a "double block" that is 2 1/2 inches wide by 1 1/4 inches deep - using a good quality wood glue, and clamp for several hours. Note that it is important to ensure that the flat side of the clamped block lines up smoothly, as this is what the second "double block" will be glued to. As the blocks are curved, it can be difficult to use clamps. However, if the previously discarded waste wood is used to fill the curves, this issue is easily resolved. Repeat this gluing process on the remaining two blocks.
At this point, the top of the stem should have a 1 1/4 inch diameter hole drilled in it, to an approximate depth of one inch. This hole will house the light bulb electrical element (the item into which the light bulb is screwed).
Once this is done, sand the stem using coarse, medium and fine grade sandpaper, until the stem is suitably smooth.
The base is almost an anticlimax after the rest of the project. Cut a piece
of wood 8 1/2 inches square and 3/4 inch deep and mark the center of this
lamp base by drawing a line from corner to corner, thus forming an "X".
Place the finished lamp stem over the center of this "X", and draw around
it carefully, thus marking the size of the hole needed to be cut in the
base piece. Again, this can be cut out using a jigsaw. However, be careful
not to cut out too much as the resulting hole should be a tight fit around
the stem. To ensure this tight fit, make the first cut one sixteenth of
an inch inside of the pencil markings, and then expand this cut outwards
Once the hole is a satisfactory fit, all that is left to do is to miter the base to the design of your choosing, rather than leaving is as one big block. On the lamp shown above, the miter cut down to a depth of 1/2 inch at each side, leaving the center as the full height of 3/4 inch. This in turn was sanded down to a smooth curve when the base was sanded.
On the underneath of the base, cut out a rough groove from the center hole the one edge of the base. This groove is used to run the wire along from the stem to the edge of the lamp. Note that the edge chosen should be to poorest of the four edges, as this will be the back of the lamp.
Putting it all together
The lamp stem should now be glued to the base, and left for several hours to dry. It is obviously important to ensure that the stem is perpendicular to the base during this stage, but if the base hole was a tight fit, this should not be too difficult to achieve.
Once the glue is dry, thread the electrical wire through the stem. Connect
the wire to a light bulb electrical element and push this down into the
hole on the top of the stem.
To finish off the lamp, glue a square piece of felt to the underside of the lamp to prevent the lamp from scratching other surfaces (and also hiding the wire underneath) and wax the wood
Just a reminder to resister at the meeting for the router drawing.
Remember that the only way you can register is to be at the meeting.
American Mahogany (Swietenia macrophylla)
Also known as Honduras mahogany, true
mahogany, genuine mahogany, bigleaf mahogany,
cao, caoba, cobano, acajou, and aguano.
Grows from southern Mexico to Brazil.
Generally straight grained, but sometimes roey,
wavy, or curly, with a fine to coarse, uniform
texture. Pale pink to dark reddish brown
heartwood and yellowish white sapwood.
Variable, but generally moderate weight,
hardness, and strength. Low stiffness and shock
resistance. Very good stability and decay
resistance. Moderate steam bending rating.
Excellent working properties, including cutting,
turning, shaping, sanding, and gluing. Finishes
easily with a variety of finishes, although filling
may be required for ultimate smoothness.
Renowned for high-class cabinetry and furniture.
Also used for paneling, turnery, carving, patterns,
dies, model making, veneers, flooring, boat
building, and musical instruments.
GREAT PICNIC! Thanks to everyone that helped
WEB SITES of INTEREST
Arrowmont School of Arts and Craft
WOOD ONLINE newsletter
Appalachain Center for the Arts
Forest Products Lab. 1999 Wood Handbook
Jim DelToro's Page
Steve Graham's Page
Russell Brown's Page
Tom Gillard Jr.